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Welcome YA book lovers!

Since September 2011, my CSU, Fullerton students and I have been posting informative reviews and teaching materials for recent YA and children’s literature.  My students are the primary authors of most of our posts, although I occasionally contribute reviews during academic breaks.  This spring, I have added two student editors to our staff.  You can find out more about them by clicking the “About” link.  I also serve as my students’ editor.

If you’ve read or taught one of the books we write about, we hope you’ll let us know what you think of the book or the resources we provide for teaching it.  We’d also be thrilled if you’d share other resources you might know about relating to particular books.  If you haven’t read any of these books, we hope we’ll inspire you, and that you’ll come back and share your thoughts about one of these books later!

We look forward to hearing from you!

 

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A Review of William Alexander’s Goblin Secrets

By Steven Andreen, Jessica Berry, Rachel Forbes, Aiden Knapp, and Blaise Netzer

myweeklypicks.wordpress.com

myweeklypicks.wordpress.com

A wandering goblin theatre troupe. A witch with gearwork chicken legs. Elaborate masks. An immanent and deadly flood.

These are elements of the world William Alexander has created in his fantasy novel Goblin Secrets, for children ages eight and up. The traditional story of an orphan searching for a family and his place in the world dons a strange and steampunk mask in the land of Zombay, where acting has been outlawed. Orphaned years ago, Rownie and his older brother live with Graba, a witchworker, who takes in anyone who has nowhere to go and uses them to do her bidding. Rownie keeps his head down and does what he must, until one day his brother goes missing after putting on a secret, masked performance in an alehouse. There are severe punishments for wearing masks in Zombay, but Rownie hopes for the best and leaves Graba to look for the only family he has left. On his journey, he meets a traveling troupe of goblins who knew his brother and who hope to teach Rownie the same love and affinity for the theatre that his brother had. With their help, he continues his search, learns the art of wearing masks, and discovers the part he must play in saving Zombay from a disastrous flood.

The novel touches on many themes including brotherhood, fear of change, and mistrust of fantasy and theatre, but none of these are featured so prominently as the idea of masking. Alexander explores the positive and negative aspects of wearing masks by having both his protagonists and antagonists use them. Some, like the mayor, put up false-fronts for gain; others, like Graba, force underlings into submission until they are nothing more than mouthpieces. These characters use masking for deceit, but Rownie and his fellow actors use it to aid the willing suspension of disbelief.  When one of the goblins puts on a mask and declares himself a giant, Rownie reflects, “it was true because he said that it was true” (34). That magical space that actors and audiences, and in fact storytellers and readers, enter when they let themselves believe in fantasy is a valuable teaching tool. The goblins put on shows at different points of the story, each time presenting the crowd with a moral. In a more gradual and profound way, masking teaches Rownie his own capacity and worth. This especially comes in handy when Graba realizes he has run away and tries to use her minions to find him and bring him back. When he is cornered by them, Rownie is wearing a fox mask and taunts them:  “You will not catch me,” he said, and as he said it, he knew that it was true” (112). The mask does not change him; it simply lets him explore himself to discover the wily cleverness he always had but had never before unleashed.

The story is told through Rownie’s point of view in a world so different from our own that we are forced to look at it through the eyes of a child, making this novel both a veritable playground for the imagination and a heartfelt defense of fantasy itself. The further we immerse ourselves in his tale, the more we appreciate the magic of playing pretend and the truths revealed when masks are donned.

 

Works Cited

Alexander, William. Goblin Secrets. New York: Margaret K. McElderry, 2012. Print.

 
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Posted by on May 16, 2013 in Goblin Secrets

 

A Biography of Neil Gaiman

By: Kris Choe and Luis Alvarez

This is how you do it: you sit down at the keyboard and you put one word after another until it’s done. It’s that easy, and that hard. –Neil Gaiman

Neil Gaiman was born on November 10th, 1960, to David and Sheila Gaiman in Hampshire, England. A self-proclaimed “feral child who was raised in libraries,” he was able to read at the age of four and was given books such as The Lord of the Rings and The Chronicles of Narnia as birthday presents (“About Neil”). Rejected by publishers in his youth, Gaiman decided to pursue journalism to learn more about the writing world and its complexities. In the early 1980s, he wrote his first book, a biography on the band Duran Duran (“Neil Gaiman Biography”). Through his extraordinary Sandman comic series, he gathered a cult following and established his position as a respected writer and creator. He has written not only comics, but also film and television scripts, prose, poetry, and songs, catering to people of all ages. Some of his most famous works include Good Omens, Neverwhere, American Gods, Coraline, and The Graveyard Book (“About Neil”).

Gaiman tips his hat to Rudyard Kipling’s The Jungle Book for inspiring The Graveyard Book. Further inspiration came from his son, Michael. When Michael was two years old, Gaiman watched his son pedal a tricycle in a graveyard (Gaiman). Gaiman saw how incredibly at home Michael looked in the graveyard. He elaborates, “I wrote maybe a page… and I thought ‘I’m not a good enough writer…I put it off until I was a better writer.’” He later realized that he wasn’t looking to be a better writer, but a more experienced writer. Gaiman spent the next twenty years focusing on his career and fine-tuning his writing, eventually completing The Graveyard Book (Bloomsbury Publishing).

The Graveyard Book, first published in 2008, has won numerous awards, including the Newbery Medal, the Locus Young Adult Award, and the Hugo Best Novel Prize. In 2010, Gaiman also won the UK CILIP medal for The Graveyard Book, while the book’s children’s version illustrator, Chris Riddell, won the CILIP Kate Greenway Medal for illustration (“Meet Neil Gaiman”). As a writer and critic, Neil Gaiman’s works overflow with childlike imagination and sage-like wisdom to enchant the world he creates. Gaiman’s children’s novels, such as Coraline and The Graveyard Book, deal with dark themes, but present profound and hopeful messages that encourage children to stay clever and to overcome their fears. He is a powerful and positive force in the world of children’s and young adult literature. His unique stories, like The Graveyard Book, show that even the most “ordinary” people—whom others might see as “nobodies”—can grow into extraordinary somebodies.

Works Cited

About Neil.”Neil Gaiman. Harper Collins.Web. 1 Apr 2013.

Bloomsbury Publishing. “Neil Gaiman – on writing The Graveyard Book.” Online video clip.  Youtube. 24 June, 2010. Web. 1 Apr. 2013.

Gaiman, Neil, and Dave McKean.The Graveyard Book. New York: Harper Perennial, 2011. Print.

Meet Neil Gaiman.” Mouse Circus.Harper Collins.Web. 1 Apr 2013.

Neil Gaiman Biography.” Biographybase.  Web. 1 Apr 2013.

 

 
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Posted by on May 12, 2013 in Uncategorized

 

A Review of Neil Gaiman’s The Graveyard Book

By:  Heather Morkes and Lindsay Sorenson

boughanfire.com

boughanfire.com

“There was a hand in the darkness, and it held a knife” (2). The Graveyard Book begins with an engrossing tale of a family murdered and a toddler left wandering in the fog. The toddler finds his way to a graveyard and receives protection from those who reside deep within its gates. This is only the beginning of the child’s transformation into a young adult in The Graveyard Book by Neil Gaiman. In this coming-of-age novel, the main character Nobody Owens endures many trials and tribulations while finding himself and embarking on his journey of finding “ the man Jack,” the man who murdered his family.

Nobody “Bod” Owens receives his name after being adopted by the graveyard and his new parents, Mister and Mistress Owens, ghosts who reside within the graveyard. His name, Nobody Owens, is chosen to keep him safe, but also because “he looks like nobody but himself… he looks like nobody” (25). When the graveyard decides to raise Bod, they give him the freedom of the graveyard; the ability to see what normal human beings cannot. His mentor and guardian Silas, who takes on essential responsibilities pertaining to Bod, teaches him about life outside the graveyard walls.

Bod Owens experiences an internal conflict regarding his commitments to the graveyard and human worlds. He learns about life through visiting the various headstones and their interesting residents. Bod knows all there is to know about the graveyard, but he yearns to know more about the human world: “I’ve learned a lot in this graveyard…I can Fade and I can Haunt. I can open a ghoul-gate and I know the constellations. But there’s a world out there, with the sea in it, and islands, and shipwrecks and pigs… but I need more. If I’m going to survive out there, one day” (180). Bod knows he cannot learn everything he needs from the dwellers of the graveyard and decides he needs to go to a human school to become smarter and to confront and beat the man Jack.

An important component in the book is Bod’s coming of age through his life lived in the graveyard. His coming of age in the novel ultimately leads him to realize that he cannot be a part of both worlds; the living and the dead.  Though he grew up within the gates of the graveyard, his true place in the world is among the living. As he gets older, he becomes more independent from the graveyard allowing him to realize that he doesn’t need to rely on the graveyard for protection from the man Jack. For example, given the freedom of the graveyard, Bod learns how to fade and haunt like true graveyard inhabitants, but over time he loses these abilities as he reaches adulthood and maturity. As with other coming of age novels like The Jungle Book and the Harry Potter series, Bod reaches his coming of age without the guidance of his real parents. Bod’s coming of age shows the journey he took in order to find his own idea of where he belongs.

The Graveyard Book hooks its readers immediately with Dave McKean’s illustrations and the engrossing introduction to the main character’s journey, making it a must read. This novel is appropriate for fifth grade and up, but could be read to a younger audience, as long as the darker components of the novel are discussed appropriately, like death. Gaiman wants his readers to know that life is important, but death isn’t anything to be frightened of. He shows this by having Bod accept death as a part of his life at an early age. This novel gives hope to children finding their places in the world, and to those dealing with death in their lives.  As Bod considers that one day he’ll join the world of the dead forever, Gaiman’s narrator writes,  “But between now and then, there was life; and Bod walked into it with his eyes and his heart wide open” (307).

 Works Cited

Gaiman, Neil, and Dave McKean. The Graveyard Book. New York: Harper Perennial,

2011. Print.

 

 
 

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Another Bangladeshi Sweatshop Tragedy

In 2012, Maritza Arteaga, Laura Cabaruvias, Karina Morales, and Heather Trompeter published a review of Albert Marrin’s Flesh and Blood So Cheap on CSUF YA Book Reviews.  The book chronicles the events leading up to and following the 1911 New York Triangle Factory Fire, which killed over 100 Americans.  As Marrin notes, the U.S. changed its labor laws following the Triangle Fire, but other countries have not yet learned the lessons taught by such tragedies–he points specifically to Bangladesh as a hotspot for sweatshop disasters.  This week, a Bangladeshi sweatshop producing clothes for the U.S. and Western Europe collapsed, killing over 300 workers.

Following this latest tragedy, the people of Bangladesh rose up to protest for better working conditions.  They were greeted by the police with rubber bullets and tear gas.  Click here to read more about the protests.

 
 

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A Biography of Guadalupe Garcia McCall

By Danny Colin, Amanda Coney, Rachael Imes, Leslie Ochoa, and Maricela Ochoa

According to Steven T. McCall, Guadalupe Garcia McCall was born in Piedras Negras, Coahuila, Mexico, but at age six her family immigrated to the United States to Eagle Pass, a small town in Southern Texas. After high school, Garcia McCall went to Alpine in West Texas to study to become a teacher:  she has a BA in Theatre Arts and English from Sul Ross State University.  In Alpine, she met her husband, Jim, and they now have three grown sons together. She currently works as a junior high English teacher in Somerset while continuing to write poetry and books (“Meet Guadalupe Garcia” 2011).

Garcia McCall’s parents were the first big influences in her life. They always stressed education and made sure they fostered her talents, especially poetry.  However, Garcia McCall’s teachers played an even bigger role in her desire to become a writer. Her third grade teacher admired her stories written in Spanish and always entered her work into school competitions, while her high school teachers encouraged her to publish (“Meet Guadalupe Garcia” 2011).

Garcia McCall has written two young adult novels, Under the Mesquite (2011) and Summer of the Mariposas (2012).  In addition to writing these novels, she writes poetry. Much of her poetry, including The 411 on The Muse (her first poem), has been published in several literacy journals.  She also incorporates her poetry into her novels.

Like Lupita in Under the Mesquite, Garcia McCall faced obstacles in her life that led her to write stories about families who overcame the toughest situations (“Meet Guadalupe Garcia” 2011). Under the Mesquite was mostly directed toward a teenage audience because the struggles Lupita endured are similar to the challenges faced by many teenagers.

Garcia McCall had a difficult childhood due to her family’s crossing the United States border.  Her father had to find better work, her mother had to take care of the home, and Garcia McCall had to adjust to a new school and new people. She also had to learn to speak and write in English, which was her most difficult challenge (“Fictionalizing a Life Story” 2011). These struggles are reflected in the book when Lupita, the family’s eldest daughter, has to deal with the stress of her mother’s cancer diagnosis, take care of the house and other children while her mother is sick, and deal with her own teenage life too. Lupita ultimately has to survive this difficult time, just as Garcia McCall did (“Author Interview” 2012).

Garcia McCall has been nominated for multiple awards. This includes the Andre Norton Award, the Nebula Award, and the William C. Morris award. Though Summer of the Mariposas was nominated for all the above awards, Under the Mesquite was the only book to make it as a finalist for the William C. Morris award in 2012 (Calkins, 2012). Garcia McCall’s work has been recognized for her heart-warming story and was given a 3.95 out of 5 Goodreads rating (McCall 2013).

Works Cited

Calkins, Emily. “Morris Award Finalist: Under the Mesquite”. The Hub. American Library Association, 2013. Web. 19 Feb. 2013.

Fictionalizing a Life Story with Guadalupe Garcia McCall.”  Book Talk.  Lee & Low Books. n.d.  Web.  4/25/2013.

Meet Novelist Guadalupe Garcia McCall. The Hispanic Reader: Looking at Hispanics in Literature. Word Press, 28 Sep. 2011. Web. 19 Feb. 2013.

Author Interview: Guadalupe Garcia McCall. Born Bookish, 16 Mar. 2012. Web. 19 Feb. 2013.

McCall, Guadalupe Garcia. “Guadalupe Garcia McCall’s Blog: The Amazed Muze”. Good Reads Inc., 2013. Web. 19 Feb. 2013.

 
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Posted by on April 25, 2013 in Under the Mesquite

 

Suggested Teaching Resources for Pam Munoz Ryan’s Esperanza Rising

By Antonio Adame, Kimberley Cobian, Alejandra Gomez, Jessica Mejia, Danielle Pinson, and Jessica Ricci

Esperanza Rising: Student Resources.” Baltimore County Public Schools. N.p.. Web. 1 Mar 2013.

This resource can be very helpful for teachers because it has a lot of student resources. For example, since Esperanza Rising takes place in a farm, helpful growing season tips and information are included. The website also describes in detail Mexican customs that are mentioned throughout the book.  Lastly, this resource is very helpful because it also has a section dedicated to the author. It includes the author’s official website, the author’s biographies, a book review, and an interview. All of these websites will allow children to feel a better connection to the book.

“Pam Muñoz Ryan Shares Writing Secrets.”  Scholastic Inc., n.d. Web. 1 Mar 2013.       

Pam Munoz Ryan scholastic.com

Pam Munoz Ryan
scholastic.com

This Scholastic website is very helpful for teachers because in it, Pam Munoz, the author of Esperanza Rising, gives insight on how to teach children how to write their own stories. She mentions that they should start off by using a KWL chart. The “K” stands for what is already known, the “W” stands for what one wants to know, and the “L” stands for what was learned.  This chart is used to help break down helpful and important information for creating a book.   Another helpful feature of the website it that it includes the California Standards that are covered by these lessons.  This website it helpful because it allows children to discuss and write their own short story using Esperanza Rising as a resource.

 ”A Video Interview with Pam Munoz Ryan.” Reading Rockets.  WETA Washington DC, n.d. Web. 1 Mar 2013. 

This Reading Rocket website has many short clips on Pam Munoz’s past.  For instance, in one clip she describes how she grew up as a child, and in another clip she talks about how she had no idea her Mexican grandma was wealthy when she lived in Mexico. The most interesting clip is called Esperanza Rising. This clip presents a thorough summary but still entices the reader to pick up the book and read it!

 ”Translate English and Spanish .” SpanishDict. Curiosity Media, Inc.. Web. 28 Feb 2013. 

Throughout the book Esperanza and her family speak in both Spanish and English. This translator is a helpful tool that one can use throughout the book to give a further understanding of what it being said.  Like most people, Esperanza uses words that are familiar to her culture and her family.  This is why phrases from the Spanish language are sprinkled throughout the book.  This translator allows the reader to further connect with Esperanza and her lifestyle and relate a little more with the book as well.

Esperanza Rising: Making Mama’s Yarn Doll.” Edmond Public Schools.  N.p.. Web. 3 Mar 2013.

makingfriends.com

makingfriends.com

Esperanza had become accustomed to a lavish lifestyle.  For example, her father gave her a porcelain doll on her birthday each year.   However, once he passed and the family was forced to leave Mexico to earn money for themselves, Esperanza no longer lived this lifestyle.  Instead, Esperanza and her mother became resourceful and made dolls out of yarn. This link shows step by step directions for making yarn dolls exactly the way Esperanza and her mother would make them.  All that is needed is yarn, a ruler, scissors and a book to tie the yarn around!

Depression Era: 1930s: Repatriation for Mexican & Filipino Farm Workers.” Picture This: California Perspectives on American History. Oakland Museum of California. Web. 3 Mar 2013.

The life of the migrant workers shown in Esperanza Rising is so unfamiliar to our present day lives that is it hard to relate to.  The pictures located on the Oakland Museum website show photos of Mexican and Filipino workers and the hardships they endured during the Depression.  The photos show the workers in the field as well as their families in the camps.  As described in the novel, families lived in various different housing structures. Esperanza and her family, for example, lived in an actual building, while those who lived at the Strike camps lived in tents.  This website shows photos of different types of housing that allow one to really understand that the historical aspect of this book is accurate.

The Quinceañera Celebration.” Learn NC Editions: The Changing Face of Mexico. The University of North Carolina at Chapel Hill. Web. 14 Mar 2013.

In the book, Esperanza mentions that she is coming to the age where she will plan her quinceañera, or her fifteenth birthday. Although it may be foreign to many readers, the quinceañera is quite an important event in the Latino community because it is a passage into womanhood for girls. This website gives the history and traditions of the quinceañera as well as explanations to some of the symbols present at the ceremonies and receptions.  For those who are not familiar with the quinceañera tradition, this is a great resource to gain an understanding of these lavish parties for fifteen year old girls.

 ”Mexican Revolution.” Wikipedia. Wikimedia Foundation, Inc., 13 03 2013. Web. 15 Mar 2013. 

The Mexican Revolution was a major part of the story in Esperanza Rising; however, it is not explained at great length because it occurred prior to the major events of the story.   This resource explains in detail why the revolution started and what happened during the decade long war. It helps to give some background for the setting of this historical time in Mexico. It also describes the bandits that were followers of Emiliano Zapata; these are the same bandits who were responsible for the murder of Esperanza’s father in the novel. This resource can be used to paint a picture of the severity of the state Mexico was in before Esperanza’s story begins.

 
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Posted by on April 22, 2013 in Esperanza Rising

 

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Don’t Be Afraid to Start Over: A Review of Pam Munoz Ryan’s Esperanza Rising

By Antonio Adame, Kimberley Cobian, Alejandra Gomez, Jessica Mejia, Danielle Pinson, and Jessica Ricci

Pam Munoz Ryan creates a captivating historical fiction, Esperanza Rising, a tale of a wealthy young girl who has everything until an unfortunate tragedy turns her world upside down. Throughout the novel, Esperanza overcomes her troubles and uses hope and resilience to ultimately change her fate.

The story begins in 1924 in Aquascalientes, Mexico, where the wealthy Ortega family and their servants reside on a beautiful ranch in the country. The very first pages draw the reader in with a personal anecdote of young Esperanza and her father Sixto, sharing a special moment with the earth. Her wise father urges her to relax and listen to the earth and the natural beat of the land. Like many later trials Esperanza faces, this will be the first involving the recurring theme of patience. However, at the beginning, as a young, spoiled landowner’s daughter, Esperanza still has much maturing to do. Then novel then flashes forward to 1930, when sudden bursts of hatred over the Mexican revolution are directed towards wealthy landowners. Although Sixto is a fair and honest man, resentment in this troubled time leads to his untimely death at the hands of Mexican rebel bandits. The news is broken to Esperanza on the eve of her thirteenth birthday, and the action of the novel is set into motion.

Long before Esperanza and her mother have finished grieving, the sudden tragedy and its consequences jump-start them into a far-off journey to California in search of a better life. With all these bad events unfolding suddenly, it is up to our innocent protagonist to grow up quickly. As the book’s title foreshadows, Esperanza “rises” to her challenges in the face of great adversity. This common theme throughout the novel takes unlikely characters on wild adventures in which all you need to succeed is to believe. On the journey to California, Esperanza realizes how her new life will affect her. She soon realizes that her privileged life on the ranch is gone, and she must adapt to her new social status in unfamiliar surroundings. The Great Depression is just starting when Esperanza and her family are in the midst of relocating, and thus the great luxury that Esperanza is accustomed to has all but disappeared. Through this adjustment, Esperanza and her friends and family learn that wealth is not what makes a person’s life rich; instead, it is good friends, faith, and true happiness that can bring contentment.

Once they arrive in a California work camp, Esperanza encounters interesting characters and situations which introduce her to the new “peasant life” she must live. Patience will be a recurring theme throughout the book, seen when Esperanza deals with the long train ride to her new home, when she awaits the recovery of a family member, and when she holds onto her income for a truly important matter. Esperanza’s patience ultimately pays off, and by appreciating the simple things in life, she finds great happiness with time. Social mobility is also a frequent topic in the book; an example of this would be the romantic relationship that Esperanza develops with her former servant.  By moving into California, she and her loved ones chase the “American Dream,” a dream where anything is possible.

We see this book as a reverse “rags to riches” story in which Esperanza Ortega, who once had so much, truly learns to appreciate what she once had, and what she later gains. Esperanza Rising is a novel that will make young and old readers appreciate the things in life that truly matter: friends, family, faith, and unity.

 Work Cited

Munoz Ryan, Pam. Esperanza Rising. New York: Scholastic Inc., 2000. Print.

 
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Posted by on April 22, 2013 in Esperanza Rising